Waiting for Godot MCA Studio Theatre
September 14. 15 – 7:30p.m.
Sept. 16 – 2:00p.m. & 7:30p.m.
Educational matinee – Sept 16 – 9:30a.m.
directed by Mike Burnett
by Samuel Beckett
A
classic of the modern theatre. On Broadway, The NY World-Telegram
describes: "GODOT cannot be compared to any other theater work,
because its purpose is so different. Two dilapidated bums fill their
days as painlessly as they can. They wait for Godot, a personage who
will explain their interminable insignificance, or put an end to it.
They are resourceful, with quarrels and their dependence on each other,
as children are. They pass the time 'which would have passed anyway.' A
brutal man of means comes by, leading a weakling slave who does his
bidding like a mechanical doll. Later on he comes back, blind, and his
slave is mute, but the relationship is unchanged. Every day a child
comes from the unknown Godot, and evasively puts the big arrival off
until tomorrow…It is a tragic view. Yet, in performance, most of it is
brilliant, bitter comedy…It is a portrait of the dogged resilience of
a man's spirit in the face of little hope."
Little
Shop of Horrors MCA Zurcher Auditorium
November 2, 3 – 7:30p.m.
November 4 – 2:00 & 7:30p.m. Educational matinee – Nov 3
– 9:30a.m. directed by David
Shamburger
by Alan Menken & Howard Ashman
A
down-and out skid row floral assistant becomes an overnight sensation
when he discovers an exotic plant with a mysterious craving for fresh
blood. Soon “Audrey II” grows into an ill-tempered,R&B-singing
carnivore who offers him fame and fortune in exchange for feeding its
growing appetite, finally revealing itself to be an alien creature
poised for global domination! One of the longest-running
Off-Broadway shows of all time, this affectionate spoof of 1950s sci-fi
movies has become a house-hold name, thanks to a highly successful film
version and a score by the songwriting team of Howard Ashman and Alan
Menken, who redefined the animated musical film with Disney’s “The
Little Mermaid”, “Beauty And The Beast” and “Aladdin.”
Charming, tuneful and hilarious, with tongue firmly planted in cheek,
LITTLE SHOP OF HORRORS never fails to entertain.
Crimes
of the Heart MCA Studio
Theatre
February 15, 16 – 7:30p.m.
February 17 – 2:00p.m. & 7:30p.m. Educ. matinee – Feb 15 –
9:30a.m. directed by David
Shamburger by
Beth Henley
Winner
of the 1981 Pulitzer Prize and the New York Drama Critics Circle Award.
An astonishing first play, initially presented by the Actors Theatre of
Louisville, then Off-Broadway, and then on Broadway, where it
established the author as a major voice in theatre. Warm-hearted,
irreverent, zany and brilliantly imaginative, the play teems with
humanity and humor as it examines the plight of three young Mississippi
sisters betrayed by their passions. "While this play overflows with
infectious high spirits, it is also, unmistakably, the tale of a very
troubled family. Such is Miss Henley's prodigious talent that she can
serve us pain as though it were a piece of cake." —NY Times.
The
Royal Cricket of Japan MCA Zurcher Auditorium
April 12, 13 –– 7:30p.m.
April 14 – 2:00p.m. & 7:30p.m. Ed. matinees – April 12 &
13 – 9:30a.m. directed by Mike
Burnett by
James Lash
An
engaging fantasy for children and adults that follows the adventures of
Osee, the Royal Cricket Keeper’s son, as he journeys to find the Royal
Cricket of Japan. Whomever holds the Royal Cricket will be
emperor, and Kuda, the Royal Executioner, has a deceptive plan to gain
control of the empire. Osee must shrink down to the size of the
smallest bug and encounter the Tumblebug, Butterfly, and even some
Spiders as he searches for the Royal Cricket. THE ROYAL CRICKET OF
JAPAN will delight children of all ages (and the kids too!!!).
LAB
SEASON –
FRESH
FACES
MCA Zurcher Auditorium
September 22–– 7:30p.m.
HU
Theatre and Music showcases its newest class of talent in its annual
evening of scenes & songs.
SHAKESPERIENCE!
– for homecoming
On the Dock – Studio Theatre if raining
Oct 7 – time TBA
If
Shakespeare had a Greatest Hits DVD, this would be the live show!
Many scholars agree that the closest thing to Shakespearean productions
in the modern theatre is the Musical. This idea has been taken to
heart and developed into a simple concept show that fuses the Musical
Theatre of today with the lively and robust theatre of Elizabethan
England. The Educational Touring show of HUTC, SHAKESPERIENCE!
will be presented on campus during Homecoming 2006.
SENIOR
PROJECTS
MCA Studio Theatre
November 17 – 7:30p.m. - Rebekah Bachman
February 2 – 7:30p.m. - Chris Betz
April 20 – 7:30p.m. - Kylie Edmonds
HC
Theatre Performance majors present an evening of scenes and monologues.
GIFT
OF THE MAGI
MCA Studio Theatre
December 1 – 9:00a.m., 11:00a.m., 9:00p.m.
December 2 – 2:00p.m., 7:30p.m. Presented by
Theatre Ensemble
It
is Christmas in New York, but for two young lovers, Jim and Della, the
prospects are bleak, as both are out of work and penniless. But as those
familiar with the famous O. Henry story are aware, their dilemma is
solved when both part with their most precious possessions (she her
beautiful long hair, he his heirloom pocket watch) in order to buy
presents for each other thereby creating, at least for a magical moment,
an aura of warmth and giving in the cold, impersonal winter city.
"…a bright and beguiling musical…calculated to bring a laugh to
the throat and a misty tear to the eye of theatregoers, young or
old." —NY Tribune.
ANNUAL
ONE ACT PLAY FESTIVAL
MCA Studio Theatre
May 4, 5 – 7:30p.m.
Student
directors present a menagerie of works in this annual festival.
The resulting evenings give student directors, actors, and designers
opportunities to showcase their talent.
Guerilla
Theatre – studio theatre
Sponsored
by Alpha Psi Omega, the theatre honor society, Guerilla Theatre is an
evening of random and sporadic theatre. Comprised of scenes,
monologues, and songs, these performances are free to attend.
September
23
November 18
February 3
April 21
FORUM
THEATRE PROJECT SEASON
Sponsored by Alpha Psi Omega, the theatre honor society, and Theatre
Ensemble
The
Forum Theatre Project exists to present the texts of plays to the HU
community, and create an opportunity for discussion following the
presentation. These reader’s theatre productions are meant to
provide a starting point for campus-wide engagement with important
issues.
THE
LARAMIE PROJECTby
the Tectonic Theatre Project
September
28 – 7:30p.m.
In
October 1998 a twenty-one-year-old student at the University of Wyoming
was kidnapped, severely beaten and left to die, tied to a fence in the
middle of the prairie outside Laramie, Wyoming. His bloody, bruised and
battered body was not discovered until the next day, and he died several
days later in an area hospital. His name was Matthew Shepard, and he was
the victim of this assault because he was gay. Moisés Kaufman and
fellow members of the Tectonic Theater Project made six trips to Laramie
over the course of a year and a half in the aftermath of the beating and
during the trial of the two young men accused of killing Shepard. They
conducted more than 200 interviews with the people of the town. Some
people interviewed were directly connected to the case, and others were
citizens of Laramie, and the breadth of their reactions to the crime is
fascinating. Kaufman and Tectonic Theater members have constructed a
deeply moving theatrical experience from these interviews and their own
experiences. THE LARAMIE PROJECT is a breathtaking theatrical collage
that explores the depths to which humanity can sink, and the heights of
compassion we are also capable of.
HOW
I LEARNED TO DRIVE by
Paula Vogel
March
15 – 7:30p.m.
A
wildly funny, surprising and devastating tale of survival as seen
through the lens of a troubling relationship between a young girl and an
older man. HOW I LEARNED TO DRIVE is the story of a woman who learns the
rules of the road and life from behind the wheel. Winner of the
1998 Pulitzer Prize. "…HOW I LEARNED TO DRIVE is a tremendous
achievement, genuine and genuinely disturbing…This is, quite simply,
the sweetest and most forgiving play ever written about child
abuse…Vogel's delicate tactic makes sense not only as a way to
redouble the dramatic effect, but as a representation of reality, a
perfect case of the form fitting the subject." —Village Voice.
“The play is a potent and convincing comment on a taboo subject, and
its impact sneaks up on its audience." —Variety.
Christians
In Theatre Arts (CITA) Great Lakes Regional Conference/Festival
Join
us on campus as CITA’s regional conference presents a wide variety of
workshops and performances from professional, educational, and church
theatre groups.
February
23 – 24
Acting
Class Scene Presentations – studio theatre
Beginning
and Advanced acting students present scenes and monologues from their
classroom assignments.
Tuesday,
December 5, 2006 – 7:00p.m.
Wednesday,
May 9, 2007 – 7:00p.m.
Design/Technology
Portfolio Presentations – studio theatre
Beginning
and Advanced design students present portfolios and their classroom
assignments.